Sorrow, shame, and lament in Irish folk lyrics
Sorrow, shame, and lament in Irish folk lyrics
Andrew McKinney
Folk lyrics often evoke emotions; this is especially true of Irish folk lyrics written or sung in the English language. Common emotions associated with Irish folk lyrics are sorrow, shame, and lament. This paper questions the origin of these feelings, and why the listeners and readers of Irish folk lyrics place meaning upon them. The theoretical framework of this paper draws upon James A. Wilce’s research on language and emotions. Additionally, Eric Hobsbawm and Helen O’Shea’s research is used to investigate the myth associated with Irish folk lyrics stemming from a pure Gaelic past. Data collected for this research comes from lyrics that highlight these emotions. These lyrics were obtained from A-Zlyrics.com and Google Lyrics. A qualitative linguistic analysis found that the inspiration for the Irish folk lyrics stem from the historical events associated with the eight hundred years of conflict between Ireland and England. The lyrics encompass complex issues of gender, family, and kinship concerns as they relate to the aforementioned conflict. Ultimately, these lyrics express emotions that are felt on a personal level which in turn represent the illusion of sorrow, shame, and lament being felt on a national level.
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I love Irish folk music! Great topic. Did you use a Linguistic Inquiry and Word Count software for your analysis? I’ve read about it but never tried it so I’m not sure if it would help – but maybe. :)
Thanks, great suggestion. I actually did a qualitative analysis. However, I can see myself investigating a quantitative analysis of word use in the future.
You had me at Irish folk lyrics! How lyrics express emotions personally is something that we can all understand at a cognitive level, but an analysis that addresses the illusion of sorrow, shame, and lament on a national level is a fascinating exploration.
It was defiantly a topic that kept me interested through out the duration of my research.
This sounds like a fascinating topic. Therefore, ‘Wow, very linguist, Such fascinate!’
Would really enjoy to read a qualitative analysis by a historical archaeologist. Did you stumble upon any surprising codes besides the three main emotions?